Report from the Front
Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."
Berry Campbell has so many interesting exhibitions that I have to ration my visits there. However, this show was a standout. Covering nearly four decades in the career of one of Canada's most illustrious painters, it was entitled, "William Perehudoff: Architect of Color" (closed May 24). Read More
FMD is indeed fortunate to have a review of "Frank Bowling," the massive retrospective at Tate Britain (through August 26). It was written by David Evison, the British sculptor, whose most recent exhibition has just closed in Beijing. Read More
I am so sorry to have to report that John McLean, the British painter, has died at the age of 80 from the Parkinson's disease that he had suffered from for years. Read More
"Epic Abstraction: Pollock to Herrera" opened at The Metropolitan Museum of Art on December 17, 2018, but is "ongoing." By this the Met means that it isn't one of its usually admirable big loan shows but only a rehanging on those galleries that the museum previously devoted to its permanent collection of first- and second-generation abstract expressionists. Read More
On the Hudson River, north of Kingston, stands the picturesque town of Saugerties (population 19,000). On its outskirts lives Peter Bradley, the painter, in a handsome 18th century stone house. Downtown Saugerties is home to Emerge, a pocket-sized gallery that is currently housing a real humdinger of a show, "Peter Bradley: New Work" (through June 30). Though this show contains only six paintings, and the largest is only a little over 6 feet tall, every one's a winner. Read More
Recently, I joined the milling throngs visiting the Museum of Modern Art on a free Friday evening to view "Joan Miró: The Birth of the World" (through June 15). On view are approximately 60 works by the master Spanish surrealist (1893-1983), almost all from the museum's permanent collection, and tracing his career from 1917 to the mid-1950s.
I suppose he qualifies as a hero to postmodernists because he belonged to an underprivileged ethnic minority. But hey, if they want to make a fetish of him, it's quite okay with me. For he was a wonderfully wise, witty and whimsical artist -- one of the all-time greats. Read More
Since the spring of 2018, I have been pondering Mayor Bill de Blasio's plan to "diversify" New York City's three specialized or "elite" public high schools by getting the state legislature in Albany to abolish the Specialized High School Admissions Test (SHSAT) that is required under the Hecht-Calandra Act of 1971 for all students who wish to enter these high schools.
De Blasio's argument is that these tests prevent all but a very few African American and Latino children from being invited to attend these schools, and that such de facto segregation makes a mockery of the city's professed claims to be truly liberal and democratic.
He wants to diversify the student bodies of these schools by increasing the number of African American and Latino children enrolled in them even if these children don't perform well enough on the SHSATs to be admitted on the same basis as the white and Asian-American children who currently occupy almost all of the seats at these schools.
This places me in a quandary.
Helen Frankenthaler was a great artist and a sympathetic personality – for me, at any rate. Though we were never that close, I feel privileged to have known her. When I met her, on the occasion of her retrospective at the Whitney Museum of Art in 1969, she was at the peak of her form and the work bowled me over. I wish I could say the same of "Helen Frankenthaler: Selected Paintings" at Yares Art (through May 18). Still, despite the problems inherent in putting together a show of work by an artist now eight years dead, there is much at Yares to be enjoyed and appreciated (or at least there was, when I last saw the show on March 27). Read More
Although the venue didn't send me, there is a lively, exhilarating show of 20 abstract paintings by as many artists in the grandly-styled "Gallery of the American Fine Arts Society" at the Art Students League on West 57th Street (through May 1). The show is entitled "New York – Centric" and it was curated by James Little, the hard-edged abstractionist whose work I most recently mentioned in my March 1 posting on "The Art Show." Read More
What, after all, is – or was – "Lyrical Abstraction?" You wouldn't believe what a web of confusion Wikipedia manages to weave around the term! But that shouldn't inhibit you, gentle reader, from going to --- and enjoying – a highly diverting show of 13 pocket-sized works entitled "Lyrical Abstraction: Small Scale" at Bookstein Projects, at 60 East 66th Street on the Upper East Side (through April 13). Read More