Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard-copy rates & how to support the online edition: "works."

ZAMBON AT FIGUREWORKS: FANCIFULLY FIGURATIVE

May 31, 2018

Tags: Fulvia Zambon

Fulvia Zambon, "Muffin Lost Her Home," 2018. Oil on linen, 36” x 44.” Courtesy Figureworks.
Readers of this column with the stamina to read all the way through my reviews of Sideshow’s annual “Nation” shows may know I have long admired the academically flawless but highly imaginative paintings of Fulvia Zambon. At last, she has a fascinating show of her own at Figureworks in Williamsburg, “Fulvia Zambon: My Encounter with Momoi,” but you must rush to see it, as it closes this Sunday, June 3 and the gallery is only open Saturday and Sunday, 1 to 6. (more…)

RUN, DO NOT WALK TO “GOLDEN KINGDOMS” AT THE MET

May 24, 2018

MASK. Turquoise, wood, mother-of-pearl, shell (Spondylus princeps, Spondylus calcifer). Probably Mixtec (Ñudzavui), A.D. 1200–1521. Mexico MiBACT Museo delle Civiltà - Museo Nazionale Preistorico Etnografico. “L. Pigorini” Image © Museo delle Civiltà - Museo Nazionale Preistorico Etnografico L. Pigorini, su concessione del MiBACT, Photo Archive scans (Mario Mineo).
I’m afraid I’m just not like other people. For most, the mention of “gold” in an exhibition’s title sends them en masse to see it. But for me, the medium is not the message, so I put off until the last minute seeing “Golden Kingdoms: Luxury and Legacy in the Ancient Americas” at The Metropolitan Museum of Art. BIG mistake – as it only runs until May 28 now, and it’s terrific! So by all means, run do not walk to see it. (more…)

TWO ART FAIRS: THE ARMORY SHOW & TEFAF NEW YORK

May 22, 2018

Paul Kasmin booth at "Tefaf New York Spring 2018". Photo by Mark Niedermann
Art fairs frustrate me, because I primarily want to send readers to see the art I'm writing about (as Clement Greenberg said, "All a critic can really do is point," or words to that effect). An art fair is over long before my report goes online. Still as "news," the art fairs are not without merit, so here are belated reports on two this season. One is “The Armory Show,” held as usual on Piers 92 and 94 on the Hudson River from March 8 to 11. The other is "Tefaf New York Spring 2018," which was held for only the second time at the Park Avenue Armory this year from May 2 to 6. (more…)

RECOMMENDED: EARLY BOXER, RECENT LITTLE

May 11, 2018

Tags: Stanley Boxer, James Little

James Little, "Near There," 2017. Raw pigment on canvas, 33.5 x 41.50 inches. Courtesy of the artist and the June Kelly Gallery, New York
Two current shows of abstract painting that I can most heartily recommend are “Stanley Boxer: Gradations” at Berry Campbell in Chelsea (through May 19) and “James Little: Slants and White Paintings” at June Kelly in SoHo (through May 15). Little’s show is of new work, while Boxer’s is from earlier in his career, but both are full of surprises. (more…)

“COLORS” AT FREEDMAN ART

May 2, 2018

Tags: Helen Frankenthaler

Helen Frankenthaler (1928-2011), "Untitled," 1959. Oil and collage on paper, 14 x 11 inches. Signed lower center, green crayon: 3/59 \ Frankenthaler (Inv# FA849). Courtesy Freedman Art
A singularly inventive group show at Freedman Art is “Colors” (extended through August 17). The idea for it was born when the gallery’s director, Ann Freedman, visited the Fralin Museum of Art at the University of Virginia in Charlottesville, VA last year, to see its exhibition devoted to Sam Kootz, the pioneering art dealer. While Freedman was there, her attention was drawn to a poem entitled “Colors” by a12-year-old schoolgirl named Zoe Kusyk that had been inspired by a 1977 Larry Poons painting at the Fralin. (more…)