Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard-copy rates & how to support the online edition: "works."


March 17, 2018

Tags: Louise P. Sloane, Arleen Joseph, Francine Tint

Francine Tint, Wonky, 2012. Acrylic on canvas, 46 x 210 inches.
As March is National Women’s History Month, I cite the fine examples of 1) Louise P. Sloane, whose medium-sized & colorful, rigidly geometric abstract paintings grace the Two E Lounge in the stately Pierre Hotel (through May 31); 2) Arleen Joseph, whose modestly-scaled & colorful, gestural abstract paintings are ensconced in the busy Weill-Cornell Medical Associates clinic on West 72nd Street (through April 24), and 3) most of all, Francine Tint, who has gambled on Cavalier, a somewhat atypical gallery relatively new to the Big Apple, to present her classic yet audacious & brilliantly-hued abstract paintings in “Explorations by Francine Tint,” inhabiting Cavalier’s 4th Floor space at 3 West 57th Street (through March 24). Already, “Explorations” has garnered three enthusiastic reviews – this one is merely the fourth. (more…)


February 1, 2016

Tags: Marcia Scott, James Walsh, Stephanie Franks, Louise P. Sloane, April Hammock, Yvonne Thomas, Nikki Geula, Francine Tint, Kiyomi Baird, Joan Miller, William Beier

William Beier. White Nights (Homage to Hokusai), 2009-2013. UV Ink on canvas, 56 × 72 in (142.2 × 182.9 cm). Courtesy Walter Wickiser Gallery.
Every critic has a secret fantasy…..mine, last week, was that I could extract the few quite nice to very nice paintings that I saw while making the rounds in Chelsea from the context of the shows in which they appeared – in other words, I was fantasizing a gallery of my own…. (more…)


February 17, 2015

Tags: Francine Tint

Francine Tint. Conjurer, 2011. Acrylic on canvas, 48" x 107". Courtesy Walter Wickiser Gallery.
At Walter Wickiser in Chelsea we have “Francine Tint: Echo and Shadow” (through February 25). Technically, this is only half of a two-person show, but Tint’s 14 paintings -- ranging in size from small to large, and all pure abstractions-- occupy the large central space in this gallery and the larger front one of its two side spaces. (more…)


July 19, 2013

Tags: Peter Reginato, Ayn S. Choi, Seymour Lipton, Shirley Goldfarb, Kenneth Noland, James Chapin, Francine Tint, Irene Neal, Temma Bell, Wolf Kahn

KENNETH NOLAND. Time Lift, 1966. Acrylic on canvas (can hang both ways). 96 x 24 inches. Courtesy of Loretta Howard Gallery
As temperatures rose, I remembered that summer is a season for group shows, so I made a point of getting to some exhibitions featuring more than one artist. First was “New Paintings: Dana Gordon, John Mendelsohn” at Sideshow in Williamsburg (closed May 10). Both Gordon & Mendelsohn are mid-career abstractionists making (more…)


December 10, 2012

Tags: Dan Christensen, Pollock, Jill Nathanson, Francine Tint

Dan Christensen (1942-2007). Sarajevo, 1969. Acrylic on canvas, 83 x 53 inches. Courtesy Spanierman Modern, New York
For hardy souls who can face the rigors of mid-town Manhattan, I recommend two shows within two blocks of each other: “Dan Christensen: The Early Sprays, 1967-1969,” at Spanierman Modern, on East 58th Street, and “Jackson Pollock: A Centennial Exhibition,” at Jason McCoy, in the Fuller Building. But (more…)


July 21, 2012

Tags: Sara Macculloch, Michael Gregory, Sandi Slone, Roy Lerner, Francine Tint, Joyce Weinstein, Peter Reginato

Sara McCulloch. Tree & Beach, 2012. Oil on canvas, 36 x 48 inches. Courtesy of Kathryn Markel Fine Arts.

Out on the South Fork of Long Island, the art fairs are multiplying like rabbits. The oldest, which has been in business for five years, is ArtHamptons, which was held this year between July 12 & 15, showcased the wares of about 75 galleries, and featured a special party celebrating the 100th birthday (more…)


October 21, 2011

Tags: Francine Tint

Francine Tint. Conjurer. 2011. Acrylic on canvas, 50" x 135" Image Courtesy Gallery Sam
Francine Tint is on a roll. This is a sample of recent work, exhibited this summer by Gallery Sam at ArtHamptons, the international fine art fair. I think it's an amazing image (at its full size), & will discuss it in the DeLuxe supplement to the forthcoming hard-copy issue of "From the Mayor's Doorstep."


November 26, 2010

Tags: Francine Tint, Gregory Coates, Hofmann, Arthur Simms, E. Peter Schroeder, Stieglitz, Miró, Harry Houdini, Thomas Nozkowski, John Baldessari

A number of shows that I’ve seen in the past month merit attention, mostly because of their quality (though sometimes for other reasons).

At the top of this list is “Divine Influence: Past and Present” at Wilmer Jennings (through December 31). Billed as “contemporary abstract art and items from the Merton D. Simpson (more…)


June 28, 2010

Tags: Oliver Johnson, Pheoris West, Richard Yarde, Fred Danziger, Picasso, Fairfield Porter, William Zorach, Marguerite Zorach, Lennart Anderson, Leland Bell, Louisa Matthiasdottir, Temma Bell, Rosemarie Beck, Philip Guston, Ed Rath, Kenneth Noland, Roy Lerner, Peter Reginato, Francine Tint, Arthur Yanoff, Jules Olitski, Matisse

On two steamy days last week, I visited five galleries, all with reasons to recommend them. First was “Images of Dance: Celebrating the 25th Anniversary of Evidence Dance Company” at Peg Alston Fine Arts (through July 15). Founded in 1985 by Ronald K. Brown, (more…)