Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard-copy rates & how to support the online edition: "works."


August 16, 2014

Tags: Giacomo Balla, Carlo Carrá, Luigi Rossolo, Gino Severini, Umberto Boccioni

Umberto Boccioni, Unique Forms of Continuity in Space (Forme uniche della continuità nello spazio), 1913 (cast 1949). Bronze, 121.3 x 88.9 x 40 cm. The Metropolitan Museum of Art, New York, Bequest of Lydia Winston Malbin, 1989 © The Metropolitan Museum of Art. Image Source: Art Resource, New York
Way back in February, I went to the media preview of “Italian Futurism, 1909-1944: Reconstructing the Universe” at the Solomon R. Guggenheim Museum (through September 1).

This is the kind of show that I normally applaud: a lavish, clearly expensive, multimedia extravaganza of a major modern movement, with more than 360 works by more than 80 artists, architects, designers, photographers, and writers, borrowed from all over the civilized world. (more…)