Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard-copy rates & how to support the online edition: "works."

POLITICS MEETS ESTHETICS: “PROOF” AT THE BROOKLYN MUSEUM

October 31, 2017

Tags: Goya, Sergei Eisenstein, Robert Longo

Robert Longo (American, born 1953). Untitled (Bullet Hole in Window, January 7, 2015), 2015—16. Charcoal on mounted paper, 76 x 143 in. (193 x 363.2 cm). © Robert Longo, Ståhl Collection Norrköping, Sweden. (Photo: Courtesy of the artist and Galerie Thaddaeus Ropac; London, Paris, Salzburg).
Am I the only person who has OD’d on politics this season? Even if you are one, too, occasionally politics and esthetics harmonize, as is (largely if not entirely) the case at The Brooklyn Museum this fall, where the show is “Proof: Francisco Goya, Sergei Eisenstein, Robert Longo” (through January 7). (more…)

TWO GOOD REASONS TO VISIT BOSTON

January 7, 2015

Tags: Renzo Piano, Goya

Francisco Goya y Lucientes (Spanish, 1746-1828). Witches' Sabbath, 1797-1798. Oil on canvas, 43.5 x 30.5 cm (17 x 12 in.). Lent by Fundación Lázaro, Galdiano, Madrid.
In December, I visited Boston for two good reasons: to see the Goya exhibition at the Museum of Fine Arts, and to see what Renzo Piano hath wrought, in his redesign of three Harvard museums. I’m sorry that I’m not reporting on my visit earlier, because the Goya show will only be (more…)

FOR YOUR HOLIDAY VIEWING PLEASURE...

November 24, 2010

Tags: Jules Olitski, Anthony Caro, Jan Gossart, Goya

Should you be in the mood for looking at art over the holiday weekend, here are three shows that I can highly recommend --- or rather, one show and two half-shows.

The one show that I can unqualifiedly recommend is “Jules Olitski & Anthony Caro: Making Art as Naked as Possible, 1964-1978” at (more…)