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Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

SUMMERTIME AT THE GUGGENHEIM

Installation View: Mystical Symbolism: The Salon de la Rose+Croix in Paris,1892–1897. Solomon R. Guggenheim Museum, New York, June 30–October 4, 2017. Photo: David Heald © Solomon R. Guggenheim Foundation, 2017.
Summertime, and the livin’ is easy…for museums sometimes, too. They can economize with shows that blasé New Yorkers might turn up their noses at – since tourists are the principal visitors at almost any Manhattan museum in July & August…..and sometimes these summer shows are worth seeing, too, even for New Yorkers—as is the case with a trio of exhibitions at the Solomon R. Guggenheim Museum…. Read More 
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THE ONE, THE ONLY FRANK LLOYD WRIGHT AT MOMA

Frank Lloyd Wright (American, 1867–1959). Imperial Hotel, Tokyo. 1913–23. Cross section looking east. Ink, pencil, and colored pencil on drafting cloth, 15 x 40 in. (38.1 x 101.6 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York). © 2017 Frank Lloyd Wright Foundation, Scottsdale, AZ. All rights reserved.
No question about it: Frank Lloyd Wright (1867-1959) was – and is – America’s greatest architect. Less well known are the superb drawings on which his greatest works – both built and only conceived of – are based. All of which gives us two major reasons to visit the richly rewarding (if imperfect) exhibition at the Museum of Modern Art, entitled “Frank Lloyd Wright at 150: Unpacking the Archive” (through October 1). Read More 
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