instagram pinterest linkedin facebook twitter goodreads

Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

THREE SHOWS IN HONOR OF THE ART STUDENTS LEAGUE

Ronnie Landfield, Lady Grey, 1971.  Acrylic on canvas, 90 x 52 1/2 inches.

 

 

Maybe some of my readers have never heard of The Art Students League of New York, founded in 1875, but it's that rare institution where teachers teach and students learn -- all without enrollling in courses, taking exams and receiving degrees.  Such a setup seems to suit artists  fine, so over the years, the League has attracted a remarkable body of teachers & students  Many of these were included in three recent shows that I truly wish I had gotten around to writing about while they were still up. Read More 

Be the first to comment

MAC AND MARK AT THE NEUE GALERIE

Franz Marc (1880–1916), The Yellow Cow, 1911. Oil on canvas. Solomon R. Guggenheim Museum, New York. Solomon R. Guggenheim Founding Collection.  

 

 

"Mac and Mark" is the sacrilegious way I refer to two excellent painters associated with German Expressionism, Franz Marc (1880-1916) and August Macke (1887-1914). Together with Wassily Kandinsky, Gabrielle Münter, and other German and émigré artists based in & around Munich, these two Germans formed the group that exhibited in 1911 and 1912 under the name of Der Blaue Reiter, and published Der Blaue Reiter Almanac in 1912.  Both Marc and Macke – good friends with each other -- were killed in action during World War I, so to commemorate these promising careers cut short by forces beyond their control, the Neue Galerie is staging a highly colorful and engaging show, "Franz Marc and August Macke: 1909-1914"  (through January 21). Read More 

Be the first to comment

MEDIEVAL ARMENIA AT THE MET

Khachkar. Lori Berd, 12th–13th century. Basalt. 72 × 383⁄4 × 9 in. (182.9 × 98.4 × 22.9 cm). History Museum of Armenia, Yerevan Photo: Hrair Hawk Khatcherian and Lilit Khachatryan.

First the Virgin Mary, at the Frick. Now a cross, the symbol of the Crucifixion, to illustrate my review of "Armenia!" at The Metropolitan Museum of Art (through January 13). But can I help it if art made way back in the Middle Ages still has the mysterious power to enchant us, and if the art which has survived since then is mostly religious?

  Read More 

Be the first to comment