instagram pinterest linkedin facebook twitter goodreads

Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."



Peter Bradley, We Should Be Heroes, 2018.  Acrylic and mixed media on canvas, 46.5 x 76 inches, Courtesy of the artist and Emerge Gallery.




On the Hudson River, north of Kingston, stands the picturesque town of Saugerties (population 19,000). On its outskirts lives Peter Bradley, the painter, in a handsome 18th century stone house.  Downtown Saugerties is home to Emerge, a pocket-sized gallery that is currently housing a real humdinger of a show, "Peter Bradley: New Work" (through June 30).  Though this show contains only six paintings, and the largest is only a little over 6 feet tall, every one's a winner. Read More 

Post a comment


Joan Miró. The Hunter (Catalan Landscape). Montroig, July 1923-winter 1924. Oil on canvas. 25 1/2 x 39 1/2″ (64.8 x 100.3 cm). Purchase. © 2018 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris



Recently, I joined the milling throngs visiting the Museum of Modern Art on a free Friday evening to view "Joan Miró: The Birth of the World" (through June 15). On view are approximately 60 works by the master Spanish surrealist (1893-1983), almost all from the museum's permanent collection, and tracing his career from 1917 to the mid-1950s. 


I suppose he qualifies as a hero to postmodernists because he belonged to an underprivileged ethnic minority.  But hey, if they want to make a fetish of him, it's quite okay with me.  For he was a wonderfully wise, witty and whimsical artist -- one of the all-time greats. Read More 

Be the first to comment