instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

THE WHITNEY BIENNIAL: TWO GOOD PLUS TWO HALF GOOD ARTISTS

Aliza Nisenbaum (b. 1977), La Talaverita, Sunday Morning NY Times, 2016. Oil on linen, 68 x 88 in. (172.7 x 223.5 cm). Collection of the artist; courtesy T293 Gallery, Rome and Mary Mary, Glasgow.
Over the years, I have learned the hard way not to expect too much from the Whitney Biennial at the Whitney Museum of American Art (which will be with us until June 11). Nor have my expectations ever been far wide of the mark. This time around, though, things were slightly different... Read More 
Be the first to comment

6 SOLOS—2 SPECIOUS, 1 STATELY, 3 WHIMSICAL

Hedda Sterne, Machine Motor Light Blue, 1951. Oil on linen, 39 x 31 3/4 inches (99.1 x 80.6 cm). "Hedda Sterne" lower right on reverse, HS 134. © The Hedda Sterne Foundation, Inc. / Licensed by ARS, New York, NY.
On recent strolls through Chelsea & environs, I saw six shows, featuring three living artists (Carrie Moyer, Landon Metz & Tai-Shan Schierenberg), and three dead ones (Gaston Lachaise, Theodore Roszak, & Hedda Sterne). By a twist of fate, all the shows by the living artists have closed, while you can still get to those of the dead ones. Something here about how life may end, but art goes on… Read More 
2 Comments
Post a comment