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Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

JACOB LAWRENCE: THE EDUCATION ARTIST AT MOMA

Jacob Lawrence. The Migration Series. 1940-41. Panel 3: “In every town Negroes were leaving by the hundreds to go North and enter into Northern industry.” Casein tempera on hardboard, 12 x 18″ (30.5 x 45.7 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.
Various U.S. Presidents have claimed to be “the education President,” but none with claims to equal those of Jacob Lawrence (1917-2000) to be “the education artist.” This is far less because – like so many other artists – he spent many years teaching. It is far more because his art combines art with history.

In fact, as our city's children head back to school, I can't think of a better way to show them that history need not be dull and dry than  Read More 
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"CARIBBEAN: CROSSROADS OF THE WORLD"

Agostino Brunias (Italy ca. 1730--Dominica 1796). Pacification with the maroon negroes in the island of Jamaica. Oil on canvas, 22 x 24 inches. Private Collection.
What Holland Cotter of the New York Times calls “the big event of the summer season in New York” is really three events in one. Its collective title is “Caribbean: Crossroads of the World,” but it is three separate exhibitions, being held simultaneously at El Museo del Barrio (through  Read More 
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