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Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

CAA (PART ONE): OF CRITICS & ART MARKETS

Mark Grotjahn. Untitled (Circus No. 1 Face 44.18). 2012. Oil on cardboard mounted on linen. 8’ 5 1/2” × 72 1/2” (257.8 × 184.2 cm). Collection Donald B. Marron, New York. Courtesy Mark Grotjahn. Copyright Mark Grotjahn. Photo: Douglas M. Parker Studio

This two-part post deals primarily (though not exclusively) with the 103rd annual conference from February 11 to February 14 of the College Art Association. The first part replaces the April 9 post in which I discussed a show of contemporary painting & the first session I attended at CAA: I revised this post, condensed it & then added my experiences of the next three sessions I attended, all of which dealt with art-historical topics. The contemporary art is here because I think that it, more than anything else, determines how art history is seen & taught. Read More 

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