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Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

POLITICS MEETS ESTHETICS: “PROOF” AT THE BROOKLYN MUSEUM

Robert Longo (American, born 1953). Untitled (Bullet Hole in Window, January 7, 2015), 2015—16. Charcoal on mounted paper, 76 x 143 in. (193 x 363.2 cm). © Robert Longo, Ståhl Collection Norrköping, Sweden. (Photo: Courtesy of the artist and Galerie Thaddaeus Ropac; London, Paris, Salzburg).
Am I the only person who has OD’d on politics this season? Even if you are one, too, occasionally politics and esthetics harmonize, as is (largely if not entirely) the case at The Brooklyn Museum this fall, where the show is “Proof: Francisco Goya, Sergei Eisenstein, Robert Longo” (through January 7). Read More 
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DAZZLING SOV-FOTO AT THE JEWISH MUSEUM

Georgy Petrusov, Skier, early 1930s. Gelatin silver print. Collection of Alex Lachmann. Artwork © Georgy Petrusov, courtesy of Alex Lachmann Collection.
If there’s anything harder than putting a positive spin on a seedbed for fascism, it’s putting a positive spin on what Ronald Reaganin 1983 called the “evil empire” -- the Communist Soviet Union. However, the Jewish Museum has brilliantly managed such a spin with its nakedly beautiful exhibition, “The Power of Pictures: Early Soviet Photography, Early Soviet Film” (through February 7). Read More 
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