Report from the Front
Art criticism, sometimes with context, occasional politics. Published in hard copy 5-7 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."
Alas, instead of answering these questions, the show shies away from them-- primarily through its accompanying literature, but also (even if necessary) through its choice of work to display. Read More
SUMMER INTO AUTUMN AT THE MET: AN INSIGHT INTO THE PERMANENT COLLECTION, A BLOCKBUSTER, 4 LESS SUCCESSFUL SHOWS & FINALLY, TWO SMALL GEMS
I shall also offer a few thoughts about "Heavenly Bodies" its record-shattering summer blockbuster (through October 8), and four smaller and less successful spring-into-summer shows, since closed..
Finally let me call to your attention two very small but altogether delectable exhibitions, both still with us: "Dangerous Beauty: Medusa in Classical Art” (through January 6, 2019) and “African American Portraits: Photographs from the 1940s and 1950s." (through October 6). Read More
What a range of art Paris hosted in the years between the two world wars! At The Jewish Museum, the big summer show is “Chaim Soutine: Flesh” (through September 16). It presents 32 mostly still-life paintings that the moody, Russian-born expressionist made between ca. 1916, three years after he arrived in Paris at the age of 20, and 1943, the year of his death. At the Solomon R. Guggenheim Museum, the big show is “Giacometti” (through September 12). This full-dress retrospective takes the wickedly witty Swiss-born, Paris-based sculptor (1901-1966) from his early surrealist period , in the late 1920s and early 1930s, through his "existential" period, at its apogee in the 1950s and 1960s, Read More