instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

GERHARD RICHTER: ABSTRAKTION

Gerhard Richter, "A B, Still (612-4)," 1986. Oil on canvas, 225 x 200 cm, Museum Barberini, © Gerhard Richter 2018 (29062018).
I am happy to welcome a guest contributor to this column: David Evison has given us the review below of "Gerhard Richter : Abstraktion," which is at the Museum Barberini Potsdam, in Brandenburg (until 21 October 2018)
 Read More 
Be the first to comment

AN AFTERNOON IN CHELSEA

Judith Godwin, Betrayal, 1976. Oil on canvas, 50 x 48 inches. Courtesy Berry Campbell.
On a recent trip to Chelsea, I found one big show & two lesser shows that I’d recommend, in whole or at least in part. The lesser shows with some work I liked were “Etel Adnan, Ione Saldanha & Carolee Schneemann: Of the Self and of the Other,” at Galerie Lelong & Co, (closed August 3), and the “Summer Group Show” at Sundaram Tagore (through September 1). The big show where I liked practically everything I saw was "Summer Selections," at Berry Campbell (through August 17).  Read More 
Be the first to comment

PORTRAIT OF AN EXHIBITION ON 57TH STREET

Hans Hofmann ( German, 1880-1966), The Climb, 1960. Oil on board, 84 x 48 inches.
Beginning all over again, I am going to review a most remarkable & welcome exhibition at the Manhattan venue of Cavalier at 3 West 57th Street. The show is entitled “57th Street: America’s Artistic Legacy – Part I.” As nearly as I can tell, both its sculpture and more importantly its paintings were selected and hung by Ron Cavalier, co-founder and president of the gallery. This show opened on June 15th, and I am going to review what I saw when I visited it on Saturday, July 20th.  Read More 
4 Comments
Post a comment

THOMAS DOWNING AT YARES...WHAT A BEAUTIFL DAY IN THE NEIGHBORHOOD....

Thomas Downing, Untitled, 1959, Acrylic on canvas, 77 5/8 x 92 inches (197.2 x 233.7cm).
Sorry folks, but Halasz’s lunch break seems to have gone on rather longer than originally intended….She is reporting back for duty on Thursday, July 19 and her remarks follow .

On July 1, at 2 am, I managed to hit my head so hard that it took 14 (or was it 16?) staples to close the scalp wound I’d incurred. Physically I seem to be recuperating nicely, but getting my head back together again in a figurative sense is proving harder. I do hope I am now up to giving you a report on “Thomas Downing: Spot On” at Yares Art at 745 Fifth Avenue (through August 6). This report will consist of Read More 
Be the first to comment

A MESSAGE TO BENJAMIN

Oh say can you see....
Monday evening, 6/25/18

First, among the small but loyal band of people who subscribe to the print edition of (An Appropriate Distance) From the Mayor’s Doorstep are – gasp, yes, a few Republicans.

And, because its subject is primarily art, I normally try to avoid discussing my admittedly Democratic preferences in it.

I feel that art and politics are like apples and oranges, irrelevant to one another.

Though I know that many great artists have used their art to make political statements, it is because of the quality of their art as art which has made those works survive. Whatever political situations they may have been concerned with, as time passes are forgotten, so irrelevant that it becomes necessary to explain them in museum labels.

That said, on this occasion, I am going to discuss my preference in the Democratic primaries being held today, June 26, in New York State’s 12th Congressional District. This is where I live, and it is a heavily blue district in a heavily blue state. Thus whoever wins the primary is more or less assured of election in November. Read More 
Be the first to comment

NATHANSON AT BERRY-CAMPBELL: GOSSAMER RADIANCE

Jill Nathanson, Cadence, 2017. Acrylic and polymers with oil on panel, 55 x 72 inches. Courtesy Berry-Campbell.
At Berry Campbell in Chelsea, we have “Jill Nathanson: Cadence” (through June 30). This lovely show, of 17 shimmering veils of color, picks up where the artist’s notable last show left off, and carries the unique presence she has established on to new triumphs. Read More 
2 Comments
Post a comment

ZAMBON AT FIGUREWORKS: FANCIFULLY FIGURATIVE

Fulvia Zambon, "Muffin Lost Her Home," 2018. Oil on linen, 36” x 44.” Courtesy Figureworks.
Readers of this column with the stamina to read all the way through my reviews of Sideshow’s annual “Nation” shows may know I have long admired the academically flawless but highly imaginative paintings of Fulvia Zambon. At last, she has a fascinating show of her own at Figureworks in Williamsburg, “Fulvia Zambon: My Encounter with Momoi,” but you must rush to see it, as it closes this Sunday, June 3 and the gallery is only open Saturday and Sunday, 1 to 6. Read More 
1 Comments
Post a comment

RUN, DO NOT WALK TO “GOLDEN KINGDOMS” AT THE MET

MASK. Turquoise, wood, mother-of-pearl, shell (Spondylus princeps, Spondylus calcifer). Probably Mixtec (Ñudzavui), A.D. 1200–1521. Mexico MiBACT Museo delle Civiltà - Museo Nazionale Preistorico Etnografico. “L. Pigorini” Image © Museo delle Civiltà - Museo Nazionale Preistorico Etnografico L. Pigorini, su concessione del MiBACT, Photo Archive scans (Mario Mineo).
I’m afraid I’m just not like other people. For most, the mention of “gold” in an exhibition’s title sends them en masse to see it. But for me, the medium is not the message, so I put off until the last minute seeing “Golden Kingdoms: Luxury and Legacy in the Ancient Americas” at The Metropolitan Museum of Art. BIG mistake – as it only runs until May 28 now, and it’s terrific! So by all means, run do not walk to see it. Read More 
Be the first to comment

TWO ART FAIRS: THE ARMORY SHOW & TEFAF NEW YORK

Paul Kasmin booth at "Tefaf New York Spring 2018". Photo by Mark Niedermann
Art fairs frustrate me, because I primarily want to send readers to see the art I'm writing about (as Clement Greenberg said, "All a critic can really do is point," or words to that effect). An art fair is over long before my report goes online. Still as "news," the art fairs are not without merit, so here are belated reports on two this season. One is “The Armory Show,” held as usual on Piers 92 and 94 on the Hudson River from March 8 to 11. The other is "Tefaf New York Spring 2018," which was held for only the second time at the Park Avenue Armory this year from May 2 to 6. Read More 
Be the first to comment

RECOMMENDED: EARLY BOXER, RECENT LITTLE

James Little, "Near There," 2017. Raw pigment on canvas, 33.5 x 41.50 inches. Courtesy of the artist and the June Kelly Gallery, New York
Two current shows of abstract painting that I can most heartily recommend are “Stanley Boxer: Gradations” at Berry Campbell in Chelsea (through May 19) and “James Little: Slants and White Paintings” at June Kelly in SoHo (through May 15). Little’s show is of new work, while Boxer’s is from earlier in his career, but both are full of surprises. Read More 
Be the first to comment