Report from the Front
Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."
On July 1, at 2 am, I managed to hit my head so hard that it took 14 (or was it 16?) staples to close the scalp wound I’d incurred. Physically I seem to be recuperating nicely, but getting my head back together again in a figurative sense is proving harder. I do hope I am now up to giving you a report on “Thomas Downing: Spot On” at Yares Art at 745 Fifth Avenue (through August 6). This report will consist of Read More
First, among the small but loyal band of people who subscribe to the print edition of (An Appropriate Distance) From the Mayor’s Doorstep are – gasp, yes, a few Republicans.
And, because its subject is primarily art, I normally try to avoid discussing my admittedly Democratic preferences in it.
I feel that art and politics are like apples and oranges, irrelevant to one another.
Though I know that many great artists have used their art to make political statements, it is because of the quality of their art as art which has made those works survive. Whatever political situations they may have been concerned with, as time passes are forgotten, so irrelevant that it becomes necessary to explain them in museum labels.
That said, on this occasion, I am going to discuss my preference in the Democratic primaries being held today, June 26, in New York State’s 12th Congressional District. This is where I live, and it is a heavily blue district in a heavily blue state. Thus whoever wins the primary is more or less assured of election in November. Read More