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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."

 

4 DEFINITE PLUSSES

Susan Roth (b. 1950). Sun Kissed, 1983. Acrylic on handmade paper, 22 x 30 inches. Courtesy of David Mirvish. Photo courtesy of Freedman Art.
Not all the Manhattan gallery shows worthy of discussion are in Chelsea, SoHo or the Lower East Side. There are still hardy survivors in midtown and on the Upper East Side, and four exhibitions in particular have provided enjoyment for me as winter—at long last—is giving way to spring. Three of them  Read More 
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"INVENTING ABSTRACTION" REVISITED

Kazimir Malevich. Zhivopisnyi realizm mal'chika s rantsem - krasochnye massy v 4-m izmerenii. (Painterly realism of a boy with a knapsack -- color masses in the 4th dimension). 1915. Oil on canvas, 28 x 17 1/2 inches (71.1 x 44.5 cm.). The Museum of Modern Art, New York, 1935. Acquisition confirmed in 1999 by agreement with the estate of Kazimir Malevich and made possible with funds from the Mrs. John Hay Whitney Bequest (by exchange). Photo courtesy of the Museum of Modern Art, Imaging and Visual Resources Department, John Wronn.
In January, I paid my first call on “Inventing Abstraction, 1910-1925” at the Museum of Modern Art” (through April 15). This is a most ambitious show, dedicated (as it says in the press release) to exploring “the advent of abstraction as both a historical idea and an emergent artistic practice.” It  Read More 
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