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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."



Cara London. Lazy Dog. 2014. Monotype, 19 1/2 x 25 1/2 in.
Continuing my forays into territories that I couldn’t deal with in cold weather, I went to Flemington, New Jersey, to see a show at SOMI Fine Art, a co-operative gallery housed in a former pottery factory. It currently has six artist-partners, and all have at least some work on view all of the time.  Read More 
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Noah, from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80, colored glass and vitreous paint; lead came Image © Robert Greshoff Photography, courtesy Dean and Chapter of Canterbury
Easter Saturday was glorious in the Big Apple, sunny & in the 70s. It reminded me that the annual rebirth of a dead god is (and was) a feature of many religions, not only the Christian. The deity has been named Attis, Adonis, Osiris, Dionysius, Persephone & Tammuz (Ishtar’s mate), but what matters more is that--zombie-like  Read More 
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Peter Reginato. WTF. 2011. Stainless steel and enamel, 47 x 48 x 35 in. Photo courtesy the artist.
In my last posting, I mentioned that Jean Fautrier was in “Thick Paint,” a three-man show uptown. Never having seen Fautrier’s work first-hand, I got there—as well as to two other galleries, with work by Scott Williams, Chuck Thomas, and Peter Reginato. Finally,capsule coverage of three monster shows staged in the first week of March.  Read More 
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Jules Olitski, Escorial Mystery, 1991. Acrylic on canvas, 68 1/2 x 60 inches (174 x 152 cm), (c)Estate of Jules Olitski/Licensed by VAGA, New York NY.
At Paul Kasmin in Chelsea, two shows are blooming. The first, at 293 Tenth Avenue, is “Alexander the Great: The Iolas Gallery 1955-1987,” and the second, at 515 West 27th Street, is “Jules Olitski: Mitt Paintings” (both through April 19). There’s a connection between the two, though at first it may be hard to fathom, given the apparent differences between the two.  Read More 
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Spring may be late this year, but indoors in Manhattan, modernism is blossoming. Besides the recent shows of Poons and Bannard, we now have those of Helen Frankenthaler, Dan Christensen, & Kenneth Noland. The show of Jules Olitski at Paul Kasmin piggy-backs on another Kasmin show, so I’ll discuss it in a separate posting.  Read More 
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