Report from the Front
Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."
Both artists are recent graduates (if that’s the word I want) of Spanierman Modern. They have chosen to move to the Chelsea gallery opened just last year by two (likewise) Spanierman grads, Christine Berry and Martha Campbell.
Of the two artists on view at Berry Campbell, Susan Vecsey may be more familiar to the art world at the moment, having been included in Spanierman group shows since 2009, and having had a solo exhibition there in 2010. Read More
Walsh belongs to a generation born nearly 20 years before Vecsey (in 1954), but he is still a generation younger than Read More
No doubt such a title would also attract some courageous souls who consider their tastes catholic, and would be willing to see painting & sculpture less familiar than the avant-garde French & American art of that same period. But I wouldn’t expect such a show to be mobbed.
On the other hand, suppose the museum decided to display the same art, but title it instead “Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937.” Not only does this promise the heady spice of politics (which, as Ai Weiwei also knows) is of far wider interest than art—but, in addition, that magical word, “degenerate” promises all sorts of sin and evil. It is not unlike what Professor Higgins found so "irresistible" about Liza Doolittle, the fact that she was "so deliciously low, so horribly dirty!” Read More