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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."



Richard Pousette-Dart, Yellow Amorphous, 1950. Oil on canvas 45-1/2" x 92" (115.6 cm x 233.7 cm). Photograph by Kerry Ryan McFate, Courtesy of Pace Gallery. © 2016 Estate of Richard Pousette–Dart / Artists Rights Society (ARS), New York.
Well, I thought I knew all about Richard Pousette-Dart (1916-1992). But it turns out that the only parts of his career that had stuck in my mind were its beginnings (in the early 1940s) and its long-lived end (onward from the 1960s). Thus “Richard Pousette-Dart: The Centennial” at Pace (its 57th Street space) came as a welcome surprise to me for its inclusion of several stimulating & unfamiliar paintings from the 1950s (through October 15).  Read More 
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Zao Wou-Ki, Sans titre (Untitled), 1972 . India ink on paper, 26 3⁄16 × 47 1⁄16 in. (66.5 × 119.5 cm). Private collection, Switzerland. ©Zao Wou-Ki ProLitteris, Zurich. Photography by Antoine Mercier.
Somehow I feel like I’ve always known about Zao Wou-Ki. Perhaps that’s why it was such a pleasure to encounter (or re-encounter) his art in “No Limits: Zao Wou-Ki” at the Asia Society Museum in New York (through January 8) and thereafter at the Colby College Museum of Art in Maine (February 4 through June 4, 2017). Read More 
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Thomas Eakins, Amelia Van Buren Sitting With Cat on Shoulder, 1891. Platinum print, 3 1/2 x 4 inches (8.89 x 10.16 cm), Pennsylvania Academy of the Fine Arts, 1985.68.2.712.
Herewith my third and last installment of coming attractions for this fall. Like the others, it runs a gamut-- ranging from shows of modernists like Walter Darby Bannard to those of postmodernists like Pipilotti Rist to the "homemade architecture" of Beverly Buchanan to historical figures like sexy Guido Cagnacci of the baroque and Mexican modernism in its glory days of revolution.  Read More 
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Michiel van Musscher (Dutch, 1645 - 1705), An Artist in His Studio with His Drawings, mid-1660s. Oil on panel, 47 × 36 cm (18 1/2 × 14 3/16 in.). Liechtenstein. The Princely Collections, Vaduz-Vienna.
Herewith Installment #2 of this season's coming attractions, ranging all the way from prewar Vienna to gay 20th-century New York, and with detours to Jerusalem in the Middle Ages to 6th century China. Enjoy! Read More 
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Prudence (in situ), Andrea della Robbia (Italian (Florentine), 1435–1525). Ca. 1475. Glazed terracotta. Lent by the Metropolitan Museum of Art, Purchase, Joseph Pulitzer Bequest, 1921. Courtesy, Museum of Fine Arts, Boston.
Below you will find capsule entries on a selection of exhibitions to be held (mostly by museums, large and small, and mostly but not exclusively in New York) this autumn. It’s not the best season I’ve seen, but it should be of unusual interest to admirers of superannuated female minimalists and overwrought Italianate baroque painters.  Read More 
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