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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."

 

ONCE MORE, THE GREATEST SHOW ON EARTH

Once again, Richard Timperio and his seemingly endless corps of talented associates have brought to birth the annual monumental group show at Sideshow in Williamsburg (through March 24). This year, it’s called “Sideshow Nation VI: The Greatest Show on Earth!” and for those of us who treasure the fine art of painting, it is all of that—not least because it enshrines this art in a becoming context of timeliness and humor. Read More 
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FUN & GAMES IN THE GALLERIES

Jack Bush (1909-1977), Pink Blossom, 1964. Oil on canvas, 72 x 70 inches (182.9 x 177.8 cm), Inv. #3238.
Having been in Oregon at the end of January, I’m behind in my limited reporting on the galleries, but I did do a little pulse-taking. Two Chelsea shows that inspired me to prose were “Ray Parker: The Nines” at Washburn (through March 3) and “Gordon Parks: I Am You – Part 1” at the 24th Street gallery space of Jack Shainman (closed February 10, but with “Part 2” scheduled for February 15 through March 24). A third show uptown that really turned me on was “Fields of Color” at Yares Art (through February 17).  Read More 
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YET ANOTHER WASHINGTON COLOR SCHOOL PAINTER: KENNETH YOUNG

Kenneth Victor Young (1933-2017), Untitled, circa 1972. Acrylic on canvas, 54 1/4 x 54 inches (HTC14748). Courtesy Hollis Taggart Galleries
From the fact that Yares now features Thomas Downing and Gene Davis, though neither of these Washington Color School painters ever made it to Clement Greenberg’s “preferred” list, I deduce that the market may be getting tight in those painters who were on that list. But Downing and Davis were not the only members of that school, and Hollis Taggart recently (closed February 8) showed off five untitled canvases by a third, Kenneth Victor Young, as part of an “Inventory Show.”  Read More 
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AND RIGHT NEXT DOOR, DAVID HOCKNEY

David Hockney, Kas and Jane, 1965. Crayon on paper, 17 x 13 3/4 inches framed (43.2 x 34.9 cm framed). © David Hockney.

Museum-goers up to a change in pace from the divine to the merely worldly can find lighter, cheerier sustenance at The Metropolitan Museum of Art by walking down the hall from Michelangelo to “David Hockney” (through February 25). This show of about 70 paintings, collages, drawings and photography by an internationally-known 80-year-old Yorkshire-born enfant terrible comes to the U.S. after a triumphal tour through the Tate in London and the Centre Pompidou in Paris.

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IL DIVINO AT THE MET

Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome), Three Labours of Hercules, 1530–33. Drawing, red chalk; 10 11/16 x 16 5/8 in. (27.2 x 42.2 cm). ROYAL COLLECTION TRUST / © HER MAJESTY QUEEN ELIZABETH II 2017, www.royalcollection.org.uk.
Everybody today, it seems, knows who was Michelangelo Buonarotti (1475-1564)…..painter, sculptor, architect, poet, and with Leonardo da Vinci, one of the two greatest artists of the Italian Renaissance. So it should come as no surprise that this season's blockbuster exhibition at The Metropolitan Museum of Art should be "Michelangelo: Divine Draftsman and Designer" and that it should be packing in the crowds.. The show has already been seen by more than half a million visitors, and on its final day (Monday, February 12), it (but not the rest of the museum) will be open until 9 pm. Read More 
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