Pablo Picasso, "Head of a woman (Fernande)," Horta de Ebro, summer, 1909. Conté crayon and charcoal on wove paper, 62.8 x 48 cm. Musée national Picasso-Paris, Pablo Picasso Gift in Lieu, 1979, MP 642. Photo © RMN-Grand Palais (Musée national Picasso-Paris)/Art Resource, NY, Matthieu Rabeau © 2020 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
The NY Times has also tried to fill its columns with book reviews of current exhibition catalogues. But the two I've seen (in its May 22 issue), don't in my opinion measure up to the one I've chosen. The Times evidently felt obligated to review the catalogue for the Gerhard Richter show at the Met's Breuer annex (a space now to be taken over by the Frick), plus a Jean-Michel Basquiat show at the MFA Boston. I decided to leave the fashion-conscious East Coast and head inland to the Cleveland Museum of Art, which knows a true giant when it sees one. It had scheduled a mammoth show of "Picasso and Paper" for May, postponed its opening to September -- and now (alas!) has been forced to postpone its opening indefinitely as European restrictions on travel to and from our plague-ridden republic have made it impossible to bring the show from the U.K. at the present time..
Earlier this year (before the lockdown began) this same show opened at the Royal Academy of Arts in London, and they still have a virtual tour of it online but for reasons I shall be discussing in the course of this review,I found the large and elegant Picasso catalogue more illuminating and am herewith spending most of this review discussing it (London: Royal Academy of Arts, 2020; 325 pp., 376 illus.) What a joy it is!