Edward Avedisian (1936-2007) wasn't in "Post-Painterly Abstraction," the landmark show organized by Clement Greenberg in 1962. He is, however, included in "Clement Greenberg: A Critic's Collection," the catalogue of work owned by the late critic and acquired by the Portland Art Museum in 2000. And, like other, better-known color-field painters, Avedisian evidently understood the importance of making beautiful art that can offer balm to the wounded soul even –or perhaps especially -- in the most trying times. Read More
Report from the Front
Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."
Well, and so The Metropolitan Museum of Art has finally reopened, after being closed for five months because of the pandemic and leaving a gaping hole in the city's body esthetic. I attended the media preview re-opening the museum on August 26, and sashayed through the biggest of its new shows, "Making the Met: 1870-2020" (through January 3). How nice it was to be back! Read More