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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."



Goya (Francisco de Goya y Lucientes) (Spanish, 1746–1828). Plate 42 from Los Caprichos: Thou who canst not (Tu que no puedes.), 1799. Etching, burnished aquatint, Sheet 11 5/8 × 8 1/4 in. (29.5 × 21 cm); plate 8 1/2 × 5 7/8 in. (21.5 × 15 cm).The Metropolitan Museum of Art, New York, Gift of M.
Knoedler & Co., 1918 (18.64[42])



"There's no question in my mind but that Goya's "Third of May" is better than anything Pollock could paint," Clement Greenberg told a Bennington seminar in 1971. It's unlikely New York will get to see a full-dress retrospective of Francisco Goya y Lucientes (1746-1828) any time soon, with or without "The Third of May.".  But we do have another way of celebrating that Spanish master, with "Goya's Graphic Imagination,"  a wickedly handsome show of about 50 prints and about 50 drawings, on view at The Metropolitan Museum of Art (through May 2). True, most of these works on paper are from the Met's own extensive collection, but the show also includes some memorable loans. Even more importantly, it highlights an aspect of the master that is often overlooked. Read More 

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Franklin Einspruch, Tulips in Vase, 2021.Watercolor and egg tempera on paper, 9 x 6 inches.

 For some years now, I have been hot on the trail of an elusive group of realists (yes, realists).   This group calls itself Zeuxis, in honor of the ancient Greek painter whose art was so true to life that birds pecked at his pictures of grapes. At long last Zeuxis (the group, not the ancient Greek) is having a show at First Street (which is actually at 526 West 26th Street).  And, unlike so many of this group's shows, this one will be up long enough so that my readers can go and see it for themselves.  It is called "Composing in the Key of S" (through May 22), and I found it highly enjoyable. Read More 

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