Yes, I know, you say impatiently. But the painting of "The Red Studio" (1911) by Henri Matisse (1869 - 1954), has been one of the oft-displayed treasures of the Museum of Modern Art since it was acquired in 1949. What's so new about that? Answer: This compact but far-ranging show united "The Red Studio" itself with almost all the smaller surviving art works that were depicted by the artist within that larger painting. Those included paintings, sculpture, and a ceramic plate. Read More
Report from the Front
Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."
One might never guess it to look at the svelte and poised little lady known as Francine Tint, but inside her lurks the swashbuckling scenario of those dashing, mustachioed buccaneer-types whose whiplash sword's play animates movie classics from The Sea Hawk to Crouching Tiger, Hidden Dragon. That, at any rate, is the impression one gains from the twelve large to very large and generously animated abstract paintings that constitute "Francine Tint: Life in Action," as curated by Robert C. Morgan and viewable seven days a week from 10 to 5 in the National Arts Club at 15 Gramercy Park South (through December 2). Read More
Those of us lucky enough to have known Walter Darby Bannard (1934-2016) will remember that besides being a very fine painter, he was a witty and articulate writer. The writing by him that I was initially most aware of appeared in art magazines in the '70s and '80s, when he was in the New York area and exhibiting in galleries on the Upper East Side. However, "Aphorisms for Artists: 100 Ways Toward Better Art" belongs to a later period in Bannard's life – the decades when he was in Florida, and teaching (or having taught) art at the University of Miami (toward the latter part of this period, his paintings were being rediscovered in Chelsea). Read More