Charles Marville, Lamppost, Entrance to the École des Beaux-Arts, ca. 1870. Albumen silver print from glass negative. Collection W. Bruce and Delaney H. Lundberg
I often wonder why I am so much drawn to photography these days. I guess it is because I do like representation, and I see so little contemporary painted representation that has the freshness of the best photography—though what I consider fresh & the best photography might strike the average contemporary camera buff as laughably quaint.
For instance, I liked Read More
For instance, I liked Read More