The press release for “Excavations Non-Objective: Paintings by Michael Filan” was a real turnoff, illustrated as it was with reproductions of two of the sloppiest paintings I’ve seen. They looked as though the artist had simply hung his canvases on a wall, and slung paint at them, allowing it to Read More
Report from the Front
Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."