instagram pinterest linkedin facebook twitter goodreads facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."



Edward Steichen, Paul Robeson (as Brutus Jones, in The Emperor Jones, for Vanity Fair), 1933. Gelatin silver print, mounted on board, 9 15/16 x 8 in. (25.2 x 20.3 cm). Whitney Museum of American Art; gift of Richard & Jackie Hollander in memory of Ellyn Hollander, 2012.240.
Continuing my tour of photography exhibitions this season, I next took in a show of work by Edward Steichen (1879-1973). Born the same year that Charles Marville died, Steichen practiced his peacetime calling in three phases, each phase directed toward progressively wider audiences.

Steichen was a native of the tiny European duchy of Luxembourg; he came to  Read More 
Post a comment