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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."



Edward Steichen, Paul Robeson (as Brutus Jones, in The Emperor Jones, for Vanity Fair), 1933. Gelatin silver print, mounted on board, 9 15/16 x 8 in. (25.2 x 20.3 cm). Whitney Museum of American Art; gift of Richard & Jackie Hollander in memory of Ellyn Hollander, 2012.240.
Continuing my tour of photography exhibitions this season, I next took in a show of work by Edward Steichen (1879-1973). Born the same year that Charles Marville died, Steichen practiced his peacetime calling in three phases, each phase directed toward progressively wider audiences.

Steichen was a native of the tiny European duchy of Luxembourg; he came to  Read More 
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