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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."



Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right, top to bottom: Esphyr Slobodkina, Untitled, 1937; Marie Kennedy, Untitled, 1937; Alice Trumbull Mason, Untitled, 1937; Rosalind Bengelsdorf, Untitled, 1937; Agnes Lyall, Untitled, 1937; Gertrude Greene, Untitled, 1937; Ray Kaiser, Untitled, 1937. Photograph by Ron Amstutz


Particularly after visiting MoMA's show of Sophie Taeuber-Arp, I approached another show of women's abstracts at the Whitney Museum of American Art with caution.  Please don't let it be another overblown attempt to imitate masculine theater, I prayed to myself.  But I needn't have worried: taste and discretion rule triumphant at the Whitney's ingratiating period effort, "Labyrinths of Forms: Women and Abstraction, 1930-1950" (through March 13).  It is a most entertaining show. Read More 

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