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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."



Félix Vallotton (1865-1925), The Lie, 1897. Oil on artist's board, 9–1/ 2 × 13–1/3 in. (24 × 33.3 cm). The Baltimore Museum of Art. The Cone Collection, formed by Dr Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.298

At The Metropolitan Museum of Art we have "Félix Vallotton: Painter of Disquiet" (through January 26). If you can insulate yourself from this show's dystopian title and accompanying dystopian verbiage, you may enjoy some of the very pleasurable painting it displays by an artist who reached the acme of his accomplishments in the 1890s, or only a decade or so before artists as varied as Kirchner and yes, even Matisse (to say nothing of Picasso, Braque & Duchamp) were beginning to put simplicity, strength, and emotion and/or wit before beauty as traditionally defined. Read More 

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