The New York Times, ever alert to novelty, ran a story on August 2 about "a site-specific work of performance art" called "Ocularpation: Wall Street." It was billed as a commentary on "work and the economy," and masterminded by an artist named Zefrey Throwell (that last name, compounded as it is Read More
Report from the Front
Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."