The older I get, the more convinced I am that to achieve success in the art world one needs not only visual talent, but the “right” personality. In fact, sometimes the “right” personality (variously defined) trumps the greater visual talents of others. In Manhattan this fall, we have two major museum exhibitions demonstrating the truth of my maxim. The first I shall deal with here and now. It’s the solidly conceived, abundantly documented and handsomely mounted “Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk, 1918-1922,” at The Jewish Museum (through January 6, 2019). Read More
Report from the Front
Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."
April 7, 2013
In January, I paid my first call on “Inventing Abstraction, 1910-1925” at the Museum of Modern Art” (through April 15). This is a most ambitious show, dedicated (as it says in the press release) to exploring “the advent of abstraction as both a historical idea and an emergent artistic practice.” It Read More