icon caret-left icon caret-right instagram pinterest linkedin facebook twitter goodreads question-circle facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."

 

RED-HOT, ICY BLUE: BLUEMNER AT MENCONI + SCHOELKOPF

Oscar Bluemner (1867-1938), Moonlight Fantasy, 1930. Signed with conjoined letters at lower left: BLŰMNER; inscribed, dated and signed on the backing with framing notes: Catalogue #15/ 28 ½ x 38 ½ /Gouache painting on panel/1930/ #234/Moon Light Fantasy/Oscar F. Bluemner /Casein varnish on paper mounted on board 30 ¾ x 22 ½ inches (78.1 x57.1 cm) (11138)

I really liked the display at The Art Show this year of Oscar Bluemner's work by Menconi + Schoelkopf. But, like last year's show by this same gallery of John Marin, it turns out that The Art Show booth was only a smaller prelude to a much larger show of Bluemner's work held after The Art Show closed and back at the gallery's headquarters on the Upper East Side. So I held my fire until I could see the larger gallery show, and found a delicious entertainment that I can highly recommend.

 

Titled "Bluemner and the Critics,"it' s on through December 17 and has a catalogue by Roberta Smith Favis – who is not to be confused with the New York Times critic of nearly the same name, but is instead a longtime professor at Stetson University in Florida, and first curator of the fabulous Bluemner collection given to Stetson by the artist's daughter Vera Kouba. Read More 

Be the first to comment

EARLY MODS IN MONTCLAIR

Oscar Bluemner (1867-1938). Paterson Mills, ca. 1911. Colored pencil and ink on paper. Vera Bluemner Kouba Collection, Stetson University , DeLand, Florida
The Montclair Art Museum is an easy commute. The De Camp Bus lines’ #33 route from Port Authority decants you on the doorstep of the museum in only 40 minutes or so, and the museum has long had a reputation for exhibitions that match the ambition – if not the scale – of Manhattan’ s museums. A year or so ago, I vastly enjoyed its presentation of “Cézanne in America,” and this time, I looked forward to seeing two new shows: “The New Spirit: American Art in the Armory Show, 1913” and “Oscar Bluemner’s America: Picturing Paterson, New Jersey” (both, alas, closed June 16). Read More 
Be the first to comment