icon caret-left icon caret-right instagram pinterest linkedin facebook twitter goodreads question-circle facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Report from the Front

Art criticism, sometimes with context, occasional politics. Published in hard copy 2-4 times a year. New shows: "events;" hard copy rates & how to support the online edition: "works."

 

A NOTE TO MY READERS -- & COMMENTS FROM MY READERS.

 

I am sorry to report that I have been suffering from some sort of a stomach bug for the past week or so.  It may even have contributed to the bleakness of my report on "The Medici" last week.  As I think it unfair to continue to take out my negative emotions on helpless pictures and sculpture, I have decided to foreswear reporting on the art scene for the next few weeks – or until I have this bug of mine firmly in the rear-view mirror. Think of it as the summer vacation I never got around to taking.

 

I do have a small amount of reading matter to offer – written not by me, but by several of my readers.

 

 Read More 

Be the first to comment

"THE DE LUXE SHOW"AT KARMA

"The De Luxe Show" at Karma, installation shot. Far right: picture by Robert Gordon; far left: picture by Peter Bradley.  Center: sculpture by Anthony Caro (foreground), (behind it,sculpture by James Wolfe); Back wall in center: picture by Al Loving.  Courtesy Karma, New York

Way back in 1971, 31-year-old Peter Bradley curated "The De Luxe Show." Held in a disused movie house in Houston's historically African-American Fifth Ward, it was one of the first, maybe even the first of the major racially-integrated exhibitions in the U.S.  Now two galleries are honoring its 50th anniversary with exhibitions.  The Los Angeles show is at Parker, 2441 Glendower Avenue (through September 18).  The New York show is at Karma, 188 East Second Street (through September 25).  I've only seen the Karma exhibition, but believe me folks, it's a wow. Read More 

Be the first to comment

BRADLEY'S BEAUTIES IN SAUGERTIES

Peter Bradley, We Should Be Heroes, 2018.  Acrylic and mixed media on canvas, 46.5 x 76 inches, Courtesy of the artist and Emerge Gallery.

     

 

 

On the Hudson River, north of Kingston, stands the picturesque town of Saugerties (population 19,000). On its outskirts lives Peter Bradley, the painter, in a handsome 18th century stone house.  Downtown Saugerties is home to Emerge, a pocket-sized gallery that is currently housing a real humdinger of a show, "Peter Bradley: New Work" (through June 30).  Though this show contains only six paintings, and the largest is only a little over 6 feet tall, every one's a winner. Read More 

2 Comments
Post a comment

THOSE BOOK EXHIBITS AT CAA

Jacket, Darby English, "1971: A Year in the Life of Color" (University of Chicago Press)

 

I couldn't face all those talks at the annual conference of the College Art Association this year, but as the conference was held in Manhattan, I did mosey on down to the New York Hilton to enjoy the Smithsonian's reception for its alumni and to look at the CAA's book exhibits.   As with the art world as a whole, postmodernism and identity politics for the most part upstaged esthetics, both in the choice of subjects for books and in the way that these subjects were dealt with, but still I found a handful of tomes that interested me and that I would have bought had I a) the money b) the space to put them in and c) the time to do them justice by reading them carefully and all the way through. Read More 

Be the first to comment