A reproduction of “The Beach” (1955), by William Baziotes, one of the original but lesser-known first generation abstract expressionists, accompanied a review in the July 27 NY Times by Ken Johnson of “Signs & Symbols” at the Whitney Museum of American Art. Though the review didn’t send me up the wall with delight, it made me want Read More
Report from the Front
Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."
FRIDAY AT THE WHITNEY W. THEODOROS
August 24, 2012
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