Theodoros Stamos (1922-1997). Ancestral Worship, 1947. 48.9 (c) Estate of Theodoros Stamos.
A reproduction of “The Beach” (1955), by William Baziotes, one of the original but lesser-known first generation abstract expressionists, accompanied a review in the July 27 NY Times by Ken Johnson of “Signs & Symbols” at the Whitney Museum of American Art. Though the review didn’t send me up the wall with delight, it made me want Read More