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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."

 

RARELY-SEEN BOXER AT BERRY CAMPBELL

Stanley Boxer (1926-2000), Rainnights, 1973. Oil on linen, 74 x 68 in. (188 x 172.7 cm).   Courtesy Berry Campbell.

 

Though I've reviewed the paintings of Stanley Boxer (1926 – 2000) many times, mostly it has been his work from the '80s and '90s that I discussed, the pictures covered with glittering, glistering accretions of matière. Only occasionally have I glanced at let alone reviewed his work from the early 1970s, but these are the paintings now featured in "Stanley Boxer: The Ribbon Paintings (1971- 1976)" at Berry Campbell in Chelsea (through December 23).  And they form a wonderful chapter in pure painting.

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RECOMMENDED: EARLY BOXER, RECENT LITTLE

James Little, "Near There," 2017. Raw pigment on canvas, 33.5 x 41.50 inches. Courtesy of the artist and the June Kelly Gallery, New York
Two current shows of abstract painting that I can most heartily recommend are “Stanley Boxer: Gradations” at Berry Campbell in Chelsea (through May 19) and “James Little: Slants and White Paintings” at June Kelly in SoHo (through May 15). Little’s show is of new work, while Boxer’s is from earlier in his career, but both are full of surprises. Read More 
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WHAT OUR GALLERISTS HAVE BEEN UP TO

Yunhee Min, Movements (swell 1), 2015. Acrylic on linen, 45 x 45 inches (114.3 x 114.3 cm). (AMY28111). Courtesy Ameringer | McEnery | Yohe & the artist.
Our enterprising gallerists have more than one way to promote the artists they believe in. Here's a rundown of a slew of displays of work during this past winter and spring that I’ve found worth prospecting. Read More 
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4 DEFINITE PLUSSES

Susan Roth (b. 1950). Sun Kissed, 1983. Acrylic on handmade paper, 22 x 30 inches. Courtesy of David Mirvish. Photo courtesy of Freedman Art.
Not all the Manhattan gallery shows worthy of discussion are in Chelsea, SoHo or the Lower East Side. There are still hardy survivors in midtown and on the Upper East Side, and four exhibitions in particular have provided enjoyment for me as winter—at long last—is giving way to spring. Three of them  Read More 
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2 Sculptors, 5 Painters

David Evison. M-2. 2010. Steel and copper, 40 in. high. Courtesy Galleri Heike Arndt
SCULPTURE: MANHATTAN

One of the most enjoyable shows on view in Manhattan at the moment is “William Tucker: Present and Past” at McKee (through October 13). The literature from the gallery emphasizes “Day” (2012), an 8-foot high, semi-abstract, terracotta-colored plaster horse’s head (destined, the artist hopes, to be cast in bronze). Pictured on the  Read More 
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TWO OLD FRIENDS, OR PERHAPS....

Stanley Boxer. Capturestheheartland. 1991. Oil and mixed media on canvas, 40 x 46 inches. Collection of Spanierman Modern.
Two old friends, or perhaps “professional acquaintances” would be less presumptuous, are having exhibitions in Manhattan at present. At Loretta Howard, you may see “Tim Scott in the 60s and 70s” (through February 25). I first met this gifted British sculptor back around 1970, when I was living in London and trying to write a novel.  Read More 
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4 SHOWS

Esteban Vicente’s collages have the endearing quality of always seeming new. I so much enjoyed his current show at NYU’s Grey Art Gallery, entitled “Concrete Improvisations: Collages and Sculpture by Esteban Vicente.” It has been elegantly co-curated by Lynn Gumpert, Edward J. Sullivan & Ana Martínez de Aguilar and will be on  Read More 

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