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Report from the Front

Art criticism, sometimes with context, occasional politics. New shows: "events;" how to support the online edition: "works."

 

GROWLY POSTMODERNISM: WINSLOW HOMER AT THE MET

Winslow Homer (American, 1836-1910), The Veteran in a New Field, 1865. Oil on canvas. 24 1/8
x 38 1/8in. (61.3 x 96.8cm). The Metropolitan Museum of Art, Bequest of Miss Adelaide Milton
de Groot (1876-1967), 1967 (67.187.131). Photo courtesy of The Metropolitan Museum of Art.

 

 

My problem is that I came in on Winslow Homer (1836-1910) when the sun of modernism still shined.  My guide was Barbara Novak, and her widely-admired "American Painting of the Nineteenth Century" (1969). But if anybody wants a primer on how postmodernist clouds have rolled in over the artistic landscape, they have only to compare her treatment of Homer with the current retrospective "Winslow Homer:  Crosscurrents" at the Metropolitan Museum of Art (through July 31).

 

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CIVIL WAR AT THE MET (Part One)

Conrad Wise Chapman. The Flag of Sumter,October 20, 1863. 1863-64. Oil on board, 11 1/2 x 15 1/2 inches. Museum of the Confederacy, Richmond , VA, 0985.14.371. Photography by Alan Thompson.
Over those lazy, hazy, crazy days of summer, when all most of us really want to do is sit in the shade and drink a cool drink, the Metropolitan Museum of Art is treating us to not one but two big, ambitious doses of blood and guts--two major loan shows dealing with the Civil War. Read More 
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